I've just finished Andrew Wilson's excellent biography of crime writer Patricia Highsmith, Beautiful Shadow. Highsmith, author of Strangers on a Train and The Talented Mr Ripley, was a pioneer of telling a murder story from the killer's point of view, and dragged the crime genre from the logic puzzle whodunnit to the psychological whydunnit. She was a bit of a psychological case herself and knew it. She learned to harness her manic-depressive swings and her penchant for brief dominant-submissive love affairs to her writing schedule, getting a book out in each cycle. She drank heavily, had few social skills, hated human nature, disliked women in particular (not the high road to a happy lesbian life) and preferred the company of her pet snails. About those snails:
Her editor at Doubleday, Larry Ashmead, recalls that when Highsmith moved to France in 1967, she told him that she smuggled her pet snails into the country under her breasts. 'You couldn't take live snails into France so she was sneaking them in under her breasts,' he says. "And that wasn't just on one trip--no, she kept going back and forth. She said that she would take six to ten of the creatures under each breast every time she went. And she wasn't joking--she was very serious.' (p.267)
Yikes!
Douglas